Today I want to talk with you in regards to the 12 bar blues. The 12 bar blues is often a chord progression utilized in blues and rock music that can last for 12 bars. Gee, I wonder where it takes a name? The chord progression is simple for beginners because doing so only uses three chords, the basis, your fourth, as well as the fifth. We will be playing it inside key of G, so our chords are G, C and D. The basic structure with the 12 bar blues is 3 lines of four bars each. In the key of G it’s like this:
G G G G
C C G G
D C G –
Most of the should add up to you. Looking at the progression, you’ll notice that you play in the G chord for four bars, the C chord for an additional two, returning to the G chord for 2, the other bar each with the D, C and G. But what is it regarding the last bar. The last bar in the 12 bar blues is named a turnaround. It’s just a bit filler to get you back in the five chord, at which the progression repeats. Generally at the end in the song, as opposed to ending on the 5 chord, you’ll end on the basis to give the song feelings of “closure”. There are a lot of turnarounds in blues music, but we’ll speak about those slightly later.
For now, let’s put our blues progression to be effective! I’m going to provide you with a simple pattern that you hear in a number of blues and early rock music. With your left hand discover the G key plus the D key and strike them both together. The next part from the pattern is usually to strike the G key along with the E key together. What you want to perform is alternate between the above sets of notes. To really have that bluesy sound, do this combination of quarter notes:
If you simply can’t quite find the feeling or even the rhythm, watch film and tune in to me play. After you play that pattern 4 times, you’re ready to move it on the C chord. Just remember you are playing the main note and alternating between fifth and also the sixth notes. See if you can figure out what those notes are to the C and D chords yourself. I bet you may!
If you’ve gotten the left hand rhythm down, let’s put our right hand to figure! We could just take part in the chords with the right hand, but which is not going to sound very bluesy. The blues gets its sound in the use on the flatted third or flatted seventh (or both). We are planning to create an effective little right hand pattern while using third and also the flatted seventh. For the G chord take part in the third and flatted seventh together, that your D along with an F. Now for variety, just move your fingers one key over and take part in the E plus the G. As you have fun playing the steady rhythm with your left hand, experience different patterns in the right hand pattern I just taught you. Feel free to use it sparingly, it truely does work very well as accent notes. You can watch the playback quality for ideas.
But when you get on the turnaround, what now ?? You can watch it to see mine, or test out some of your individual. A simple an example may be just to quickly take part in the first four notes with the scale how the song is within, inside our case G major, then, when you get on the fifth note, have fun playing the chord instead.
Well, there you’ve got it. You’ve just played a full song, and possibly done slightly improvisation inside process! But don’t hold on there, I’ve got plenty more piano song tutorials waiting to be expanded your piano playing ability.